Sweet Peas Jug
2025
The piece
A full view, and the story behind it
A companion to the Half Crazy jug, carrying a fragment of the same old song. I like the awkwardness of the line — the way it doesn't quite scan. It feels like something a real person would say, not a lyric.
The flowers down both sides are sweet peas — the ones my wife grows along the south wall of the workshop in summer. I drew them from life over a few mornings.
Stage 01
Throwing
the form on the wheel
The piece begins on the kick wheel from a single ball of red earthenware. The body is closed at the shoulder and trimmed the next day once the clay is leather-hard, with the handle pulled separately and joined while both are at the same dryness.
Stage 02
Slipping
the white ground laid over the red body
Two or three thin coats of white slip are brushed over the leather-hard body. There is a window of about half a day in which the surface is firm enough to take a clean line but still soft enough to cut.
Stage 03
Scratching
drawing the figures through the slip
With a fine pin tool the foliage, flowers and figures are scratched back through the slip to expose the red clay beneath. This is the slow part — six to nine days at the bench for a piece of this size. Once a line is cut it stays cut.
Stage 04
Wording
the inscription, cut by hand
The lettering is drafted onto the slip in pencil and then cut out one letter at a time. The inscription on this piece reads — "Than a little pot of sweet peas, they are lovely for myself".
"Than a little pot of sweet peas, they are lovely for myself"
Stage 05
Glazing
two firings, and a thin clear inside
After a slow week under newspaper the piece is bisque-fired at around 1000°C. The outside is left unglazed — the contrast of red against white carries the work and a glaze tends to muddy it. A thin lead-free clear is brushed inside, and the second firing is at around 1100°C.
Stage 06
Final reveal
the finished piece
What comes out of the second firing is the piece as it will stay. Held in the hand for the first time, the slip has hardened into the body and the cut lines have darkened a shade. From clay to kiln, most pieces take between three and six weeks.
Stage 07
Specifications
the bare facts of the piece
- Materials
- Red earthenware, white slip
- Dimensions
- 44 × 26 cm
- Year
- 2025
- Status
- Bespoke Order
- Inscribed
- Than a little pot of sweet peas, they are lovely for myself