Nick the PotterSgraffito earthenware
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Sunshine Vase

2025

The piece

A full view, and the story behind it

Sunshine Vase, full view.
Sunshine Vase, 2025.

A vase rather than a jug — no handle, no spout. I wanted somewhere to put the sun. The disc on the front is the simplest shape on the piece and took the longest to get right; it had to feel weighty without becoming a hole.

The poppies grow up around it. Below the band of dentil work at the foot, there's a small monogram and the year, where I always put them.

Sunshine Vase — Throwing stage.
Sunshine Vasethrowing.

Stage 01

Throwing

the form on the wheel

The piece begins on the kick wheel from a single ball of red earthenware. The body is closed at the shoulder and trimmed the next day once the clay is leather-hard, with the handle pulled separately and joined while both are at the same dryness.

Sunshine Vase — Slipping stage.
Sunshine Vaseslipping.

Stage 02

Slipping

the white ground laid over the red body

Two or three thin coats of white slip are brushed over the leather-hard body. There is a window of about half a day in which the surface is firm enough to take a clean line but still soft enough to cut.

Sunshine Vase — Scratching stage.
Sunshine Vasescratching.

Stage 03

Scratching

drawing the figures through the slip

With a fine pin tool the foliage, flowers and figures are scratched back through the slip to expose the red clay beneath. This is the slow part — six to nine days at the bench for a piece of this size. Once a line is cut it stays cut.

Sunshine Vase — Wording stage.
Sunshine Vasewording.

Stage 04

Wording

the inscription, cut by hand

This piece carries no inscription. Where another might bear a line of text, the cartouche has been left open for the figures to speak alone.

Sunshine Vase — Glazing stage.
Sunshine Vaseglazing.

Stage 05

Glazing

two firings, and a thin clear inside

After a slow week under newspaper the piece is bisque-fired at around 1000°C. The outside is left unglazed — the contrast of red against white carries the work and a glaze tends to muddy it. A thin lead-free clear is brushed inside, and the second firing is at around 1100°C.

Sunshine Vase — Final reveal stage.
Sunshine Vasefinal reveal.

Stage 06

Final reveal

the finished piece

What comes out of the second firing is the piece as it will stay. Held in the hand for the first time, the slip has hardened into the body and the cut lines have darkened a shade. From clay to kiln, most pieces take between three and six weeks.

Stage 07

Specifications

the bare facts of the piece


Materials
Red earthenware, white slip
Dimensions
48 × 30 cm
Year
2025
Status
Sold
Inscribed

Stage 08

More from the workshop

other pieces nearby